Doppelgänger is a multi-sensory installation exploring the fragile space between states - mental, physical, and existential. It emerges from the convergence of two personal experiences: a period of profound grief and transformation, and a surreal incident at a hotel where reality seemed to falter. Rooted in disorientation and quiet rupture, the film navigates the uncanny stillness of the in-between. It dwells in moments where meaning slips, fractures and appears doubled. Familiar forms echo at odd angles, and space itself feels slightly askew, as if misremembered. Through the layering of sound and image, Doppelgänger invites the viewer into a liminal realm. Neither here nor there, before nor after. It is a space of suspended becoming, where something essential is felt but not yet fully seen. The film does not offer resolution; instead, it opens a threshold. A mirror not to reflect, but to distort, reveal and shift. It is not a return, nor a departure, but a haunting pause. A quiet question in the corridor. A time slightly out of place. A moment glimpsed, then gone.